![]() KRS-ONE continues to blaze trails in each step of his career. Parker released the single ‘Self Destruction’ with the precursor that the proceeds from sales would go to the National Urban League. The movement’s main goal was to generate funds for grassroots organisations that help the vulnerable. It was shortly after Scott La Rock’s murder as well. The campaign resulted from the murder of a fan at his concert with Public Enemy. compilation and the Stop the Violence Movement. KRS-One was also at the forefront of another movement pioneering the H.E.A.L. Acknowledging both his African-American side and his Afro-Caribbean side, many of the rapper’s lyrics promoted ideas around pan-Africanism, which was not present in the public consciousness during the 90s. ![]() During his performances, Parker would freestyle over 80s dancehall instrumentals and would very much draw on his West Indian heritage. For the album, Parker would recruit some of the most renowned hip hop producers of the 90s, including DJ Premier and Kid Capri.Īlthough the early 90s saw G-funk ruling the charts, KRS-One continued to be hailed in his hometown for his conscious and political approach to hip hop. Parker’s breakthrough would come after five relatively successful albums under the name Boogie Down Productions when he decided to make his 1993 album Return of the Boom Bap. KRS-One would quickly decide to pursue a solo career, although still partially under the moniker Boogie Down Productions. However, La Rock was shot later that year after entering a beef between a BDP member and a local Bronx gangster. ![]() ![]() In 1987 they released their debut album, Criminal Minded. KRS-One first entered hip hop as a graffiti artist, then transitioned into rap upon meeting DJ and producer Scott La Rock, together forming the group and label Boogie Down Productions (BDP). ![]()
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